“John Kimmel’s” is a jig I learned from my friend Geneviève Lambert, an accordion player in Switzerland. It is also known as “The Jig of Dead” and is associated with John J. Kimmel, famous accordion player in America in the early 1900s.
X:1
T:John Kimmel’s
M:6/8
L:1/8
R:jig
K:Emin
|:EB,E GEG|BGB e2f|gfe dBG|FAG FED|
E2E GEG|BGB e2f|gfe dBA|1 GEE E2F:|2 GEE E2B||
|efg B2B|dBA BAB|gfe dBG|ABG FED|
gfg ~B3|dBA BAB|gfe dBG|AFD E2f|
gfg B2B|dBA BAB|gfe dBG|ABG FED|
EB,E GEG|BGB e2f|gfe dBA|GEE E3||
“Con Curtin’s Big Balloon” is a beautiful jig I learned from Angelina Carberry and Martin Quinn’s album. It can also be found in O’Neill’s under the name “Hide And Go Seek”. I associate this jig with Paddy Carty as well, who recorded it twice actually!
I learned The Kilnamona Barndance from the playing of Gerdie Commane, in a video published by Custy’s Music Shop on their website a good few years back. John Williams, a great accordion and concertina player from Chicago who spent a lot of time in Doolin, also recorded this tune on one of the first albums of the band Solas.
“Around The Fairy Fort” is a barndance composed by Vincent Broderick. I picked it up at a session in McCarthy’s of Coore during Willie Clancy Week 2014, from my friend Samuel König, a great fiddle player from Switzerland. It is usually followed by an other barndance from Vincent Broderick called “The New Broom”, which I also learned at that session.
