I learned this hornpipe from the playing of Cormac Begley, who learned it himself from East Clare concertina player Mary MacNamara.
Index of all Hornpipes
“The Boys of Bluehill” is one of the most common tune in Irish Music. Some would say it is only a beginner tune, but I think it is a beautiful hornpipe. This is the version we play around Doolin, I think I got it from Terry Bingham. I like playing this tune with flute player Adrian McMahon, he usually plays it after “The Good Natured Man”.
Caisleán an Óir (The Golden Castle) was composed by Junior Crehan from Miltown Malbay. I learned it from Terry Bingham, who often plays it after “If there weren’t any woman in the world”. It was also recorded on Matt Molloy and Sean Keane’s brilliant album “Contentment is Wealth”.
I learned this hornpipe from Hugh Healy and Sean Vaughan. There are different versions “Chief O’Neill’s Favourite” (with only F# for example), but this is what I think is the most common setting in the area.
“Cronin’s Hornpipe” is a popular tune that I learned from Terry Bingham. I also associate this tune with my good friend Adrian McMahon, a great flute player from Kilfenora. Adrian likes to play it after “The Rights of Men”, which makes a really nice change.
“The Flowing Tide” is a hornpipe that is very much associated with the playing of the legendary Chris Droney, concertina player from Bell Harbour. I actually learned it from Christy Barry, James Devitt and Terry Bingham.
I learned “The Galway Hornpipe” from Hugh & Colm Healy’s album “Macalla na hÓige”. I always enjoy playing “The Good Natured Man” after it, I think it is a very nice change.
I learned “The Good Natured Man” with my friend Gilles Tabary (flute), on one on his visit to Doolin. I have enjoyed playing this hornpipe for many years now and it is still one of my favourites, which I particularly enjoy playing with Adrian McMahon, flute player from Kilfenora.
“Her Lovely Hair Was Flowing Down Her Back” is a hornpipe I first learned from The Mulcahy Family on their wonderful album “Notes From The Heart”. I came across this tune many times and in different keys, so I transcribed two keys below, Aminor and Bminor. I think it is also played in Gminor sometimes.
“The Humours of Tullycrine” is a wonderful hornpipe and has been one of my favourite tunes for many years. It is quite a common hornpipe in Clare, and I associate it Sean Vaughan in particular. It is often followed by another beautiful hornpipe, “Mickey Callaghan’s Fancy”.
“Jim Coleman’s Hornpipe” is named after Michael Coleman’s brother who was, as far as I know, a flute player. I heard this tune played by the great banjo player from Doolin, Kevin Griffin, during a session at Gus O’Connor’s Pub. However, I actually learned it later John Wynne’s album “With Every Breath”.
I first learned “Josephine Begley’s” many years ago from Terry Bingham’s album, on which he calls this tune “Mairtin O’Connor’s”. I only found out in February 2021 that this hornpipe was in fact a composition of Frankie Gavin. It is the great flute and concertina player from Laois Tommy Fitzharris who provided me with this information.
I learned Kitty Hayes’ Hornpipe from the great album “Rooska Hill” by Tony O’Connell and Éamonn O’Riordan. Kitty Hayes recorded this tune herself as Junior Crehan’s. I couldn’t find this hornpipe in the book of Junior Crehan’s compositions, There is howver a reel called Crehan’s Banbhs in the book which shares a lot of similarities with this tune.
McGivney’s Fancy is a hornpipe associated with Éamon McGivney, a great fiddle player from Co. Longford originally but resident of West Clare for many years and one of the directors of Scoil Samhraidh Willie Clancy since the early 1980s.
I learned “Miss Galvin’s Hornpipe” through various sessions, it is usually played after “Poll Ha’Penny” around Doolin, as Mary Bergin recorded them on her legendary album “Feadóga Stáin”. “Miss Galvin’s” is associated with Ellen Galvin, a fiddle and concertina player from West Clare.
I learned The rights of Man during my very first summer in Ireland, back in 2006, on the tin whistle. It is my friend Stéphane who got me started, and I am ever so grateful for all the advice and tips he gave me, especially around his respectful approach to traditional music.
I learned “Happy to Meet and Sorry to Part” from James Cullinan & PJ Crotty’s CD “Happy To Meet”, one of my favourite albums ever. This jig is the first of a set from the album that we play regularly around Doolin. The two jigs that follow are “Dooney Rock” and “The Humours of Ballingarry“.
Master Crowley’s is a reel I learned from Hugh Healy, a great concertina player from Corofin in Co. Clare. It is sometimes played with a third part which is actually the first part of “The Roscommon Reel” (also known as Master Crowley’s!), and I’ve even heard the two tunes play together as a 5-part reel.