I learned “The Flowers of Red Hill” from Tom Delany and Blackie O’Connell at a session in McGann’s Pub. The Bothy Band recorded it on their album “After Hours”.
X:1
T:Flowers of Red Hill, The
R:reel
M:4/4
K:Ador
e~A3 gAfA|e~A3 eAdA|e~A3 eAfA|gedB GABd|
e~A3 gAfA|e~A3 eAdA|e~A3 e2fa|gedB GABd||
eaag bgag|eaag egdg|e~a3 bgag|edef gedg|
e~a3 bgag|eaaf g2ga|b~g3 aged|eaag edBd||
This is a great common session tune! I learned “Devaney’s Goat” (or Devanny’s Goat) through various sessions, but I associate it with the playing of Christy Barry. In the sleeve notes of John Carty’s album’s “Last Night’s Fun”, it says that, according to flute player Jack Coen, this reel was composed by Tommy Whelan, a flute player with the Ballinakill Ceili Band, who named the tune for a neighbor’s animal.
I learned “The Killarney Boys of Pleasure” a good few years back on the tin whistle from my good friend Johannes Perritaz, a great flute player from Switzerland. This reel is quite common in sessions around Clare.
I learned “Mac’s Fancy” from the playing of Josephine Marsh, who recorded it on the great compilation album “The Sanctuary Sessions”, recorded live at Cruise’s Pub in Ennis. This jig is usually played after “Winnie Hayes’ Jig” around Doolin.
